{"id":337,"date":"2012-11-27T00:00:00","date_gmt":"2012-11-26T23:00:00","guid":{"rendered":"https:\/\/www.ciceronegranada.com\/granadas-alhambra-a-literary-myth-from-moorish-until-nowadays\/"},"modified":"2021-06-25T10:34:37","modified_gmt":"2021-06-25T08:34:37","slug":"granadas-alhambra-a-literary-myth-from-moorish-until-nowadays","status":"publish","type":"post","link":"https:\/\/www.ciceronegranada.com\/en\/blog\/granadas-alhambra-a-literary-myth-from-moorish-until-nowadays\/","title":{"rendered":"The Alhambra in the literature: a literary myth from Moorish until nowadays"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignleft wp-image-2850 size-full\" src=\"https:\/\/www.ciceronegranada.com\/wp-content\/uploads\/2016\/04\/Alhambra-de-Granada-antigua-1.jpg\" alt=\"Dibujo de la Alhambra: torre de Comares y Peinador de la Reina\" width=\"383\" height=\"188\" \/>From the texts of the Moors to present day Arabic authors such as Lebanese writer Amin Maalouf and the Iraqi poets Al-Bayati and Syrian Nizar Qabbani, <strong>Muslim artists<\/strong> (and Christian ones as well) were inspired by the inexhaustible <strong>beauty of the symbols<\/strong> enclosed within the palaces and gardens of <strong>Granada\u2019s <a href=\"https:\/\/www.ciceronegranada.com\/en\/what-see-granada\/alhambra-generalife\/\" target=\"_blank\" rel=\"noopener noreferrer\">Alhambra<\/a><\/strong>.<\/p>\n<p>That is how it is reflected in a <strong>scientific study<\/strong> of more than 2,000 literary and historical references from the 15th century to the present day that, financed by the National R+D+I Plan, that has been undertaken by Arabists at the <a href=\"https:\/\/www.ua.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">University of Alicante,<\/a> headed by professor Luis Fernando Bernab\u00e9. This expert stated that, in addition to <strong>Maalouf in \u201cLeo Africanus<\/strong>\u201d and Al-Bayati and Qabbani, the Alhambra is referred to in numerous works by Muslim authors, with it being identified as <strong>the high point for Al-Andalus<\/strong>, the golden age when it dominated the arts and sciences.<\/p>\n<p>Examples of this role in the <strong>collective Muslim imagination<\/strong> found in poems, novels, romances, theatrical plays and historical chronicles are Egyptian Radwa Ashur, who even had a trilogy on Granada, and her compatriot Husayn Munis, with the work \u201cTrip through Spain\u201d, among others. The Romance of Aben\u00e1mar, where it is said that (the Alhambra) is <strong>\u201cmarvellously\u201d<\/strong> worked (15th century), the historical documents of Luis del M\u00e1rmol Carvajal, the stories of the first Italian travellers such as Andrea Navagero and the production by Alonso del Castillo, translator for Phillip II of Spain, reflect the fascination that the palace also inspired (as well as the Moors of Granada) from the Christian side.<\/p>\n<p>Afterwards, some western literary figures were added, such as<strong> Washington Irving<\/strong>, who even had a room in the palace and wrote his well known \u201cTales of the Alhambra\u201d in it, <strong>Victor Hugo<\/strong> in order to praise the romantic facet of the Alhambra, and <strong>Heinrich Heine<\/strong>, with his poem \u201cAlmanzor\u201d in the 19th century and the drawing power hasn\u2019t diminished to this day with a host of references from writers as popular as <strong>Salman Rushdie<\/strong> (\u201cThe Moor\u2019s Last Sigh\u201d) and <strong>Paulo Coelho<\/strong> (\u201cThe Alchemist\u201d).<\/p>\n<h2>The Alhambra in the literature<\/h2>\n<p><img decoding=\"async\" class=\"alignright wp-image-1342 size-full\" src=\"https:\/\/www.ciceronegranada.com\/wp-content\/uploads\/2016\/04\/Alhambra-de-Granadaantigua.jpg\" alt=\"Dibujo de la Alhambra de granada: torre de Comares y Peinador de la Reina\" width=\"319\" height=\"425\" \/><\/p>\n<p>From the beginning, for literary Christians the Alhambra evoked <strong>\u201cabsolute power\u201d<\/strong> in the victory over the infidels while for the Moors, such as Mancebo de Ar\u00e9valo de Arag\u00f3n with his aljamiado treatises (Spanish with Arabic characters), it was the painful defeat that put an end to their zenith. \u201cHowever it soon turned into a universal symbol for Arabs and non-Arabs alike to embody the <strong>two cultures coexistence<\/strong>, both for having been built by the former and preserved by the latter in Christian Europe, which gave rise to some rich conceptual and symbolic dialogues\u201d, Bernab\u00e9 has emphasised.<\/p>\n<p>In this way, Al-Andalus and its ultimate expression, the Red Fortress, are appreciated by Arabic artists as intimate elements of a \u201csplendid\u201d past, which leads them to \u201canticipation\u201d with the hope of a better future. \u201cIt\u2019s a <strong>moving symbo<\/strong>l for Arabs and not a call for a new conquest, as maintained by some fundamentalist spokespeople (such as Bin Laden in some messages), who try to manipulate universal feelings\u201d, underlined the University of Alicante professor.\u00a0 Considered one of the most recognized architectural complexes on the planet, among the comparisons attributed to it in from the Muslim world, some of them are related to the <strong>loss of Palestine.<\/strong>\u00a0 Focusing on the literary aspect, it is compared with feelings as pure as pain, melancholy, nostalgia and, at the same time, with beauty, hedonism and true love. The musicality of the water in the fountains, the majesty of the <strong>Sal\u00f3n de los Embajadores<\/strong> with its ceiling of constellations, <strong>the Patio de los Leones<\/strong>, the <strong>Mirador del Lindaraja<\/strong> and the inverted image of the palaces when reflected in water are some of the most cited areas and elements. The research was started by Mar\u00eda Jes\u00fas Rubiera, although she died shortly after and was replaced by Bernab\u00e9 leading a group of Arabists made up of Mikel de Epalza (also deceased), Eva Lapiedra, Francisco Franco S\u00e1nchez, Jos\u00e9 Cutillas and Jorge Pascual.<\/p>\n<div style=\"display: none;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>From the texts of the Moors to present day Arabic authors such as Lebanese writer Amin Maalouf and the Iraqi poets Al-Bayati and Syrian Nizar Qabbani, Muslim artists (and Christian ones as well) were inspired by the inexhaustible beauty of the symbols enclosed within the palaces and gardens of Granada\u2019s Alhambra. That is how it [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2669,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[307],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Alhambra in the literature: a literary myth from Moorish until nowadays<\/title>\n<meta name=\"description\" content=\"Existen m\u00e1s de 2.000 referencias literarias e hist\u00f3ricas sobre la Alhambra desde el siglo XV hasta nuestros d\u00edas, s\u00edmbolo de la convicencia entre culturas\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ciceronegranada.com\/en\/blog\/granadas-alhambra-a-literary-myth-from-moorish-until-nowadays\/\" \/>\n<meta property=\"og:locale\" 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